balancing:
“ URS LÜTHI ZEIGT:
NOPRESSION
MIT: JUDITH AUGUSTIN, SEUNG HYUN BAEK, KATHRIN BALKENHOL, STEFAN BAST, HENNING BOHL, BARBARA BUX, MARTIN DEGE, LOTTE DIETMAR, FRANK DÖLLING, REINHARD DOUBRAWA, EKACHAI EKSAROJ, ANGELA ENDER, SHPRESA FAQI, ,...

balancing:

URS LÜTHI ZEIGT: 
NOPRESSION

MIT: JUDITH AUGUSTIN, SEUNG HYUN BAEK, KATHRIN BALKENHOL, STEFAN BAST, HENNING BOHL, BARBARA BUX, MARTIN DEGE, LOTTE DIETMAR, FRANK DÖLLING, REINHARD DOUBRAWA, EKACHAI EKSAROJ, ANGELA ENDER, SHPRESA FAQI, , STEFAN GEBHARDT, SÖREN GERHARDT, MICHAEL GÖBEL, TOMOKO GOTO, MONIKA GÖTZ, JUTTA HERRMANN, ANNA HOFFMANN, ÜNSAL IÇÖZ, NINA JANSEN, HORST JONESCU, HARM-HEYE KANINSKI, REYUNG MOON KIM, LINDA JOSEPHINE KNOP, LUTZ KÖNECKE, MILEN KRASTEV, TAEK KEUN LEE, XUE LEI, UTE LINDNER, FRIEDERIKE LORENZ, URS LÜTHI, MARTINAFISCHER13, MICHAELA MEISE, RALF MICHNA, SYLVIA MÖLLER, INGMAR MRUCK, CHARLOTTE MUMM, JENS NEDOWLATSCHIL, ARTUR NIESTROJ, JAN MARTIN NÜRNBERG, KATHRIN RABENORT, FLAUT M. RAUCH, ANJA RODE, OLIVER SCHARFBIER, ANN SCHOMBURG, MARKUS STEIN, SÜNJE TODT, NASIRA TURGANBAJ, MORITZ UNGER, CATRINE VAL, VIDAL & GROTH, DARIUS VÖHRINGER, MARKUS VOIT, LILIAN VON PHILIPPOVICH, JOHANNES VON STENGLIN , SARAH WEGNER, KIM WELLING, MORITZ WIEDEMANN, ARNE WITT, RUI YIN


http://www.coucou-coucou.com
http://www.kasselerkunstverein.de

(via studioaugustin)

balancing:
“ fresh from the printers ♥︎
”

balancing:

fresh from the printers ♥︎

(Source: studioaugustin, via studioaugustin)

fox-orian:
“ Here’s a (blank) example of the invoice that I send to clients after I finish freelance projects
It’s pretty common that I see a lot of freelance illustrators, designers, and photographers use something that looks like it was pulled from...

fox-orian:

Here’s a (blank) example of the invoice that I send to clients after I finish freelance projects

It’s pretty common that I see a lot of freelance illustrators, designers, and photographers use something that looks like it was pulled from a base template in MS Word — your bank statements are probably nicer to look at. Functional, they may be, but I think invoices, (just like your resume,) are another place to express yourself visually to your clients, and may just be a cherry on top to a lasting impression.

I don’t think an invoice has to be over-the-top, and you usually don’t want to include images or textures because if your client prints it out, chances are more than not it will be from a black and white laser printer — so if you use colors in your formatting, they have to still be perfectly readable in grayscale. A background texture that may ordinarily be readable in color can make text illegible in gray.

What I think is most important is to visually distinguish your invoices as being important documentation, or very obviously “I AM AN INVOICE.” Something that makes things easy for your client to 1) not lose track of it and 2) more easily find YOUR invoice since it doesn’t look like the mounds of others they may have on the virtual table. (For all I know, these are probably not even real problems — but I like to help out any minor way I can.)

Remember to include stuff like an invoice ID number, both in the file and in the file name. Something unique, (like a date, like 121107,) that they can toss to you in case any mention of an invoice has to come up, both parties will know exactly which one is being referenced. Whenever possible, save it and send it as a PDF. They’re more universally readable (and HARDER TO EDIT) than any other format.

My design for ESTIMATES are the same as this one, except they’re blue, and the bar on the side is solid — not striped. On my estimate is where I list all of my terms and conditions, such as all work performed will have to be paid, additional rates based on certain other tasks, etc, all that.

Lastly, be sure to have a “THANK YOU / FOR YOUR BUSINESS” on there somewhere. You want your invoice to seem like something positive by the end of it, not a bill for utilities.

I do all of my layout design like this in Adobe InDesign. But you can easily do this same kind of stuff in MS Word, Apple Pages, hell even Google Docs — and that’s free!

With all that, there’s little excuse, as an artist, to give your client invoices that look like these.

Good Design Can Make Anything Sexy. Even Dry Cleaning

Good Design Can Make Anything Sexy. Even Dry Cleaning

pieratt:

Naming a project is always an awful experience.

An earworm that won’t stop tapping your skull from the inside. A tenacious pop jingle with teeth and a paycheck.

As a freelance designer, I do a fair amount of this for clients. Generally, my process has been a garble of notes and…

(Source: pieratt, via themadeshop)

idpure:
“Ruedi Wyss, Ulrich Binder
Gestaltung der Grundlagen
Aus dem Gestalterischen Propädeutikum der Zürcher Hochschule der Künste
236 pages, approx. 100 illustrations, 11 x 15 cm, paperback with dust jacket
ISBN 978-3-7212-0877-1
For more...

idpure:

Ruedi Wyss, Ulrich Binder
Gestaltung der Grundlagen
Aus dem Gestalterischen Propädeutikum der Zürcher Hochschule der Künste
236 pages, approx. 100 illustrations, 11 x 15 cm, paperback with dust jacket
ISBN 978-3-7212-0877-1

For more information:
www.niggli.ch

dig-image:
“ Affiche pour accompagner la sortie de l’album Set the Twilight Reeling de Lou Reed, 1996 © Stefan Sagmeister
”

dig-image:

Affiche pour accompagner la sortie de l’album Set the Twilight Reeling de Lou Reed, 1996 © Stefan Sagmeister

(via bakerie)

explore-blog:
“More than two centuries after Goethe’s pioneering work on the psychology of color and emotion, a very ugly but informative infographic on how various brands are using the emotion of color in their logos.
Pair with the visual evolution...

explore-blog:

More than two centuries after Goethe’s pioneering work on the psychology of color and emotion, a very ugly but informative infographic on how various brands are using the emotion of color in their logos. 

Pair with the visual evolution of famous logos.

(Source: explore-blog, via explore-blog)

themadeshop:
“ Villard de Honnecourt’s Diagram, via The Secret Law of Page Harmony
“ Practicing in 13th century France, Honnecourt was an architect who used a similar principle to design the pages of his Workshop Record Book that he did when working...

themadeshop:

Villard de Honnecourt’s Diagram, via The Secret Law of Page Harmony

Practicing in 13th century France, Honnecourt was an architect who used a similar principle to design the pages of his Workshop Record Book that he did when working on his structures. (…)

This is a moment in which the boundaries separating graphic design and architecture were blurred, showing that the development of pleasing ratios, shapes and sizes is not dependent on the medium, but the mind.

(Source: sebastianwaters)